![]() Other key features worth mentioning at the outset are its ability to create HD/2K or genuine 4K resolution images combined with outstanding dynamic range and high sensitivity. The F65 that Atlas has runs up to 60fps at 4K and is soon to be upgraded by Sony to a maximum of 120fps. Of course, RED enthusiasts would probably argue that, explains Charlton. Once processed so that amounts to true 4K output unlike the RED camera. ∾ssentially, the green channel luminance is 4k and the Red and Blue are 2K. Once the photosite information is debayered, the resolution is a true 4K image that has been produced without the need for pre-filter blurring to reduce image artifacts as occurs with other supposedly ∔Kcameras on the market explains Charlton. This is twice the amount of green resolution compared with traditional 4K Bayer pattern sensors, providing a significant improvement in image resolution that is ideal for VFX processing. The Sony imager is the first to provide a dedicated green photo site for each pixel in the 4K output image. Its most spectacular feature is its 20 mega-pixel 8K CMOS sensor that sets it apart from other cameras in the market. The camera aims to provide users with images that surpass the flexibility 35mm film. The Sony F65 is a high-end true 4K motion picture camera, utilising a Super 35 image sensor and recording onto solid-state SR memory cards. When the Sony F65 was first announced, cameramen and DoPs were delighted that a 4K alternative to the RED would now be available in the market for mass consumption rather than to a few frontrunners, who had the foresight to invest in Jim Jannards technology right at the outset. Director of Photography and Managing Director of Navigation Films, Mike Charlton, gives us his take on the camera Dubai-based rental house Atlas Television recently invested in the first Sony F65 cmera in the UAE.
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